- #PICASA FORCE EMPTY TRASH CAN MOVIE#
- #PICASA FORCE EMPTY TRASH CAN SERIES#
- #PICASA FORCE EMPTY TRASH CAN DOWNLOAD#
And just then, I couldn’t find one of my favorite pair of earrings. So I ran across this lampshade which I hadn’t hoisted up on the bulb in one of the rooms and I figured I wasn’t getting around to it any time soon. Anti-piracy? Prove it.Īh so it was one of those days where I was trying to find places for some of the things I had and just find some other things. And since this topic relates to something we've all done or seen done in the past, I'd like to hear from the rest of you on where you stand in this whole issue from the moral viewpoint and otherwise. Are we at fault for downloading these movies/songs or does the blame solely rest with the people who first obtained pirated copies and put them up for download? For a wafer-thin argument siding "us", if it wasn't freely available, we weren't going to do anything phenomenal to find it, are we? Another of those grey areas in the context of right or wrong. Unfortunately I guess most of us are in the same page. In other words, if someone invited me to watch a downloaded version of a brand-new movie, I wasn't going to call in the cops and raise hell. It isn't that I go looking for opportunities to "pirate", but I don't unconditionally stop them either. It was like I was trying to explain to S. I must admit that my ethics aren't on that kind of pedestal as far as the entertainment business is concerned.
#PICASA FORCE EMPTY TRASH CAN MOVIE#
So are we morally wrong to buy them as the only opportunity to watch the movies? Or is it worse downloading a semi-decent copy of the movie before all the copyright infringements pounce in and wipe them off the Internet? In this case, is it the fault of the distributors for not catering to scattered audiences across the world or is it ours for wanting to see them with the best solution to the earliest-possible-time-cum-least-cost problem?Īll the same, I know of people with extremely high morals who would never buy music unless it was the original CD, and the likes of that. And hence the pseudo-Indian market is strewn with copies of the latest movies, weeks after the release.
What do we do? None of these movies release here in Paris (Hindi and Tamil alike) unless they are of exceptionally big banner (read Rajinikant).
But the real conundrum lies with the actions of people living away from immediate access to these movies. On the other hand, I am certain that less than 10% of the people want to see a shaky handy-cam footage of a movie on a CD that cost 30 bucks (Indian rupees) anyways rather than pay a bit more and hit the cinemas or wait further for a decent copy to turn up. And that comes down to trusting the wrong people, which is up to the distributors. Practically as good as what the late "officially-released" versions are likely to have, indicating that the leak is somewhere high up the order, alongside the copies being distributed to theatres for shows. What's shocking in some cases is that the print is pristine. On the other hand, bootlegged CDs and DVDs are a real problem.
#PICASA FORCE EMPTY TRASH CAN DOWNLOAD#
But you know what? All of that makes sense if you were pretty petty sitting in India with a million theatres available to see the movie, and still chose the slow internet + download-cap ridden broadband to sit and download a lousy copy of the movie to see it at the comfort of your home. Of course anyone with the slightest scruples of morals would agree that it is indeed unfortunate for the producers who dished out all that money in making the movie to not get their fair share from the movie watchers. And it sparked this entire blog and a worthy discussion at that. It was basically a plea to stop piracy and avoid the flooding of bootlegged copies of the movie on CDs and Internet likewise.
#PICASA FORCE EMPTY TRASH CAN SERIES#
Just today when S was watching a series of videos on Indiaglitz, I eavesdropped on an interview by Karthi, the star of the recent movie, Aayirathil Oruvan.
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